Shiverings in the night

I used:

Ibanez RG DX570 for Rhythms & leads

Fender Stratocaster Texas Special for Rhythms & lead overdoubs, fill-ins

Caraya active EQ 5 String bass for bass

All tracks recorded dry with GNX3 recorder on a sm card then reamped. I customized all patches by tweaking during the reamping. So there is no exact patch name i can give but here are what were they originally based upon.


Amp

Gain

EQ Boost

Cabin

Stomp

Stomp levels

Rhythm1 (Fender)

Hi gain

Around 90

Mid-high

Vintage/ Brit 4x12

None

Gain: Level:

Rhythm2 (Ibanez)

Rectified

Around 80

Bass

Brit 4x12

Screamer

Gain: 30 Level:50-60

Lead1 (Fender)

Hi gain

Around 85

Mid-high

Vintage

Screamer

Gain:65 Level:50

Lead 2 (Ibanez)

Hi gain

Around 90

Bass

Brit 4x12

Screamer

Gain:50 Level:50

Fill-ins (Fender)

Hi gain

Around 85

Mid-high

Vintage

Screamer

Gain:50 Level:50

Bass

Direct

Jazz 1x15

All guitar tracks had compress (fast 1:2), chorus (sine), Delay (analog), Reverb (hall) effects on. Parameters were set to less then average accept Lead 2 whose parameters were set to higher.

Bass had compression and a bit of flanger.

All track files are converted to stereo-EQ filtered and normalized with soundforge 6.0 demo

Drums programed in cakewalk pro audio9 demo using a free drum soundfont -Drum Set Ultimate (4,103KB)-.

Drum midi rerecorded into wave and all the tracts mixed in Cakewalk pro Audio 9.

All instruments played/programmed by Taylan Benker “Eaglion”

Gennie:

Dedicated to my girlfriend SEMA who loves this piece a lot.

The first time i recorded this song was when i first bought GNX3. I had recorded a simple pattern then soloed over it. I recorded solo while the rhythms played by recorder. Though because of the loop timing, there were gaps between every 3 riff. So I recorded whole song again.

The final mix was consisting of more than 12 tracks which of 4 was midi.

Basically i played each guitar track with Fender RG DX570, Caraya active EQ 5 String bass for bass, Yamaha PSR for enhanced organ, church organ, pipe organ.

Again all tracks recorded dry with GNX3 recorder on a sm card then reamped. I customized all patches by tweaking during the reamping. So there is no exact patch name i can give but here are what were they originally based upon. Almost each guitar track recorded with 2 different cabin settings.


Amp

Gain

EQ Boost

Cabin

Stomp

Stomp levels

Rhythm1

Boutique

Around 95

Bass-Mid-high

Vintage/ Brit 4x12 /

Screamer

Gain:30 Level:45

Rhythm2

Rectified

Around 80

Middle-high

Brit 4x12

Screamer

Gain: 50 Level:50

Lead1

Boutique

Around 90

Bass-Mid-high

Vintage / Brit 4x12 / Blond

Screamer

Gain:65 Level:50

Lead 2

Boutique

Around 95

Bass

Brit 4x12 / Amer 4x10

Screamer

Gain:60 Level:60

Bass

Direct

Jazz 1x15

Bass had compression and a bit of flanger.

All guitar tracks had compress (fast 1:2) , chorus (sine), Delay (analog), Reverb (hall) effects on. Parameters were set to less then average accept Lead 2 whose parameters were set to higher.

Bass had compression and a bit of flanger only.

All track files are converted to stereo-EQ filtered and normalized with soundforge 6.0 demo

Drums programmed in cakewalk pro audio9 demo using a free drum soundfont -Drum Set Ultimate (4,103KB)-.

Organs from Yamaha recorded to Cakewalk then free sound font - Organ Church (2,072KB)- applied

Drum midi and organ midis rerecorded into wave and all the tracks mixed in Cakewalk pro Audio 9 Demo.

All instruments played/programmed by Taylan Benker “Eaglion”