Shiverings in the night
I used:
Ibanez RG DX570 for Rhythms & leads
Fender Stratocaster Texas Special for Rhythms & lead overdoubs, fill-ins
Caraya active EQ 5 String bass for bass
All tracks recorded dry with GNX3 recorder on a sm card then reamped. I customized all patches by tweaking during the reamping. So there is no exact patch name i can give but here are what were they originally based upon.
Amp |
Gain |
EQ Boost |
Cabin |
Stomp |
Stomp levels |
|
Rhythm1 (Fender) |
Hi gain |
Around 90 |
Mid-high |
Vintage/ Brit 4x12 |
None |
Gain: Level: |
Rhythm2 (Ibanez) |
Rectified |
Around 80 |
Bass |
Brit 4x12 |
Screamer |
Gain: 30 Level:50-60 |
Lead1 (Fender) |
Hi gain |
Around 85 |
Mid-high |
Vintage |
Screamer |
Gain:65 Level:50 |
Lead 2 (Ibanez) |
Hi gain |
Around 90 |
Bass |
Brit 4x12 |
Screamer |
Gain:50 Level:50 |
Fill-ins (Fender) |
Hi gain |
Around 85 |
Mid-high |
Vintage |
Screamer |
Gain:50 Level:50 |
Bass |
Direct |
Jazz 1x15 |
All guitar tracks had compress (fast 1:2), chorus (sine), Delay (analog), Reverb (hall) effects on. Parameters were set to less then average accept Lead 2 whose parameters were set to higher.
Bass had compression and a bit of flanger.
All track files are converted to stereo-EQ filtered and normalized with soundforge 6.0 demo
Drums programed in cakewalk pro audio9 demo using a free drum soundfont -Drum Set Ultimate (4,103KB)-.
Drum midi rerecorded into wave and all the tracts mixed in Cakewalk pro Audio 9.
All instruments played/programmed by Taylan Benker “Eaglion”
Gennie:
Dedicated to my girlfriend SEMA who loves this piece a lot.
The first time i recorded this song was when i first bought GNX3. I had recorded a simple pattern then soloed over it. I recorded solo while the rhythms played by recorder. Though because of the loop timing, there were gaps between every 3 riff. So I recorded whole song again.
The final mix was consisting of more than 12 tracks which of 4 was midi.
Basically i played each guitar track with Fender RG DX570, Caraya active EQ 5 String bass for bass, Yamaha PSR for enhanced organ, church organ, pipe organ.
Again all tracks recorded dry with GNX3 recorder on a sm card then reamped. I customized all patches by tweaking during the reamping. So there is no exact patch name i can give but here are what were they originally based upon. Almost each guitar track recorded with 2 different cabin settings.
Amp |
Gain |
EQ Boost |
Cabin |
Stomp |
Stomp levels |
|
Rhythm1 |
Boutique |
Around 95 |
Bass-Mid-high |
Vintage/ Brit 4x12 / |
Screamer |
Gain:30 Level:45 |
Rhythm2 |
Rectified |
Around 80 |
Middle-high |
Brit 4x12 |
Screamer |
Gain: 50 Level:50 |
Lead1 |
Boutique |
Around 90 |
Bass-Mid-high |
Vintage / Brit 4x12 / Blond |
Screamer |
Gain:65 Level:50 |
Lead 2 |
Boutique |
Around 95 |
Bass |
Brit 4x12 / Amer 4x10 |
Screamer |
Gain:60 Level:60 |
Bass |
Direct |
Jazz 1x15 |
Bass had compression and a bit of flanger.
All guitar tracks had compress (fast 1:2) , chorus (sine), Delay (analog), Reverb (hall) effects on. Parameters were set to less then average accept Lead 2 whose parameters were set to higher.
Bass had compression and a bit of flanger only.
All track files are converted to stereo-EQ filtered and normalized with soundforge 6.0 demo
Drums programmed in cakewalk pro audio9 demo using a free drum soundfont -Drum Set Ultimate (4,103KB)-.
Organs from Yamaha recorded to Cakewalk then free sound font - Organ Church (2,072KB)- applied
Drum midi and organ midis rerecorded into wave and all the tracks mixed in Cakewalk pro Audio 9 Demo.
All instruments played/programmed by Taylan Benker “Eaglion”